I often remind myself that mankind’s seat of power on this planet is something of an illusion. At sea we are reminded that we are no longer at the top of the food chain by wonderful creatures like the Great White Shark, while on land, tectonic movements and geothermal explosions take that sense of humble perspective to a whole ‘nother level. I see events like the ongoing eruption of Eyjafjallajökull in Iceland as great calls for us to ponder how insignificant we really are, and remind us all that we are not as well insulated from disaster as we think.
Thanks to the fine people of the twittersphere, I’ve been privvy to two particularly stunning visualisations of the Eyjafjallajökull effect… both photographically in native Iceland, and in animation projected over the European continent. I hope you enjoy them as much as I did- and please take a minute to consider the Earth magnificent power, and just how impotent we are in the face of it.
This first video is a spectacular series of tracking time-lapse shots of the volcano’s ongoing venting, May 1-2 2010. The footage was shot on a Canon DSLR and looks terrific.
The animated visualization below shows flights operating around the first major ash cloud interruptions of April 18-20 2010. It really illustrates the way nature can bring our crazy civilizations to grinding halts with just one big subterranean sneeze!
Naturally, being a creative person, I made my own artistic response- a cheesy T-shirt making light of the situation. Always fond of a pun, ‘Volcanic Ash Got Me Down’ T-shirts and hats are available through our Zazzle store. What’s your take on the volcanic ash scenario, and how did it stir your creative thinking?
Our passion for retro lo-fi pixel art has really fired up these last 2 years. It all began with the discovery of the freeware progam IcoFX which allowed us to reconnected us with our c64-generation creative urges. I produced our first pixel art poster for a Supermarket show in Big Star Records’ basement in September 2008 and things have snowballed from there!
Happening around the same time was the erection of a giant public lo-res screen at the end of Adelaide’s busy Rundle Mall- The Rundle Lantern. Astonishing in both scale and low-resolution, it wraps around two sides of a multi-storey carpark at a highly trafficked intersection. Emma Sterling and I leapt at the opportunity to produce original animation for it. Our ‘how to’ guide to producing animation for it is available here at Creativity Base. Merge Magazine also caught wind of what I was up to, and commissioned artwork for a front cover and feature article spread.
Meanwhile, in North America, a man I met through a chiptune email-list was cooking up a grand design. Emerging theatre writer and director Steven Gridley put a call out for chiptune musicians and pixel artists and animators, to help create a world that slips between the ‘real’ and that of a glitchy 1980’s Nintendo game. I was originally eager to animate many projected sequences throughout the play, but in the end the team expanded and the workload was shared nicely. Below is a showreel featuring some of the animated sequences from the play, and a chiptune score also written by Steven Gridley. Mine is the flat-looking Mario-esque sidescroller. You can read more about the show at the blog Brooklynshiner.
Since then, I’ve had enough compliments on my pixel art to decide to open an online store, and make designs for merchandise and apparrel. Dead Pixel Designs launched late last year, and the inventory in the Zazzle shopfront is growing nicely. Recent friend and gun programmer Jay Straw also helped me integrate the store into my website, closing the associative gap between danimations and Dead Pixel Designs.
In March, Emma Sterling and I are running a pixel art and animation workshop as part of the DIY cultural event Format Festival right here in Adelaide. Keep an eye on their website, and come along if you love pixels as much as we do- finished works will be screening on the Rundle Lantern!
I know, I know… it’s been a long time between posts here at Creativity Base, but believe me, this video will make it worth the wait. I just discovered this film thanks to a new artist/blogger/musician friend of mine in Sao Paulo, Brazil. Creative like minds around the world continue to express their criticisms of the culture of cosumerism that America has successfully exported so effectively… and I’m as aware of it here in Australia as the video’s presenter Annie Leonard is in the USA. Pour yourself a cup of fairtrade coffee and give yourself twenty minutes to soak up this entertaining primer in ‘how and why the system of consumption needs to change’. Using playful animation and laymans language to convey this information to the average shopper, Leonard and Free Range Studios have done a great job with this video, and they are proceeding to produce several other videos, specific to trade, electronics and many other areas of ‘developed’ society that are built around unsustainable models and are aching for an overhaul. I hope you all enjoy this video as much as I did… let’s work together to make 2010 a year of positive change the world over.
For more info on the Story of Stuff project, visit their website at storyofstuff.com.