Animation: Classic techniques are alive and well

My recent absorption into the world of Twitter has led me to some interesting places, and among other things, rekindled my passion for the animation artform. Emily Dodge, animator and blogger at ReelAlive has posted a few beautiful discoveries on her site, two of which I will repost here. Coming from the font of creativity that lies in Europe’s outer reaches, these two films are wonderful examples of storytelling without the need for dialogue or verbal comprehension of any kind. They are beautiful, illustrative, poetic and captivating… as you will see below.

It is rare to see an animated film told in a single character’s POV. The above work uses this technique to great effect.

The element that makes the above animation so lyrical in my opinion is the artist’s observational skill. Subtle details turn the loosely sketched children into flesh and blood, perhaps even more palpably emotive than their ‘real life’ counterparts. We are blessed to see contemporary animation that harks back to the analog age and delivers so deftly!

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Art: Lateral Movement, Art & the Moving Image (Feb 21 & 23, Adelaide)

After several months of planning, exploring and collating, it’s just about ready… the first incarnation of Lateral Movement: Art & the Moving Image. Lovingly and personally crafted by three dedicated Adelaide screen-culture vultures, Dan Monceaux, Emma Sterling and Toby Bramwell, we hope this to become Adelaide’s premiere calendar event for the appreciation, discussion and enjoyment of international moving image artwork.

Co-presented by the BigPond Adelaide Film Festival and the Media Resource Centre, the event will take place over two nights in Adelaide, South Australia at our dearly beloved Mercury Cinema. Post War films screen on Saturday, February 21 and New Works screen on Monday, February 23. Entry to these sessions is $12/10, and doors open at 8pm both nights. Check out the trailer below…

The trailer features excerpts from the ‘New Works’ program, including pieces by J. Van der Made (Holland), James McGilchrist (Australia), Michael Robinson (USA), Peter William Holden (Germany) and Adam Paradis (USA).

Full program coming soon.

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