Tag: experimental film
For several years now, Adelaide’s Media Resource Centre has been running a music production initiative for emerging screen composers called Silent Remasters. After applying for the privilege of performing an original live re-score of a silent movie classic in two previous years, it appears third time’s the charm and Supermarket is on this year’s recipient list. Now I am faced with the equally daunting and exhilerating task of composing and preparing a brand-spanking new electronic score for the horror classic The Cabinet of Dr Caligari… ready for performance in less than three weeks!
I was first introduced to Robert Wiene‘s psychological thriller some years ago through a friend with obscure and fascinating taste. Produced in 1920, the film struck me with its dramatic use of light and shadow and the obvious influence of expressionistic painting in the often oblique and wild set designs. For a film of its age, its pace is a little slow but it holds up much better than the majority of works of its age. The likes of Rob Zombie, Tim Burton and countless other artists (past and present) have drawn direct influence from this film and it’s a pleasure to be given the chance to work directly with such a precious piece of cinema’s history. As an exploration of madness and monstrosity, the film brought to light themes that have continued to sustain the horror and thriller genres through decades of permutations.
My proposal for the new soundtrack to the film includes a variety of instrumentation- no honky tonk pianos or string ensembles in sight. A sampler, microphone, delays & fx, an accordian, several synthesizers, some percussion and a theremin will all be put to work. I will be performing the score as Supermarket, though at this stage Emma Sterling (who usually manages the VJ’ing role in our regular audio-visual sets) will not be taking the stage. The film runs a length of 72 minutes, so I’ll be breaking the score into ‘themes’… remixing versions of arrangements at different instances during the film. A necessary design decision to make the task of fulfilling the brief achievable in the tight three weeks of allowed schedule.
Once I have some of the score recorded, Em and I will float a 30 second trailer online and give you all a taste of what lucky cinema-goers in Adelaide will be privvy to on the night of November 26th. The screening starts at 7.30pm, and there will be two short silent films preceding The Cabinet of Dr Caligari… La Folie du Docteur Tube (1915) and Windsor McKay’s Dreams of the Rarebit Fiend: The Pet (1922). Windsor McKay is one of the great early pioneers of animated film, and both shorts promise to showcase some impressive special effects that place them far in advance of their years of production.
The Silent Remasters program runs for four nights of original performed re-scores over two weeks. Full details are available on the Mercury Cinema’s website.
I’m pleased to say that the program for the premiere of Lateral Movement: Art & the Moving Image at the 2009 BigPond Adelaide Film Festival is rapidly taking shape. Emma Sterling and I (Dan Monceaux) are responsible for the event’s PR and the curation of the ‘New Works’ screening, which will take place on February 23rd at the Mercury Cinema.
Since many of the films were sourced through the fantastic video portal website Vimeo we have been able to receive most of the films’ screening versions digitally. As such we are adding stills from the films to our slideshow progressively. So far we have confirmed works from Australia, the USA, Canada, the UK, Netherlands, Germany, Switzerland, Turkey and France.
The event’s webpage will be updated on Monday with the full program for the event.
After several months of planning, exploring and collating, it’s just about ready… the first incarnation of Lateral Movement: Art & the Moving Image. Lovingly and personally crafted by three dedicated Adelaide screen-culture vultures, Dan Monceaux, Emma Sterling and Toby Bramwell, we hope this to become Adelaide’s premiere calendar event for the appreciation, discussion and enjoyment of international moving image artwork.
Co-presented by the BigPond Adelaide Film Festival and the Media Resource Centre, the event will take place over two nights in Adelaide, South Australia at our dearly beloved Mercury Cinema. Post War films screen on Saturday, February 21 and New Works screen on Monday, February 23. Entry to these sessions is $12/10, and doors open at 8pm both nights. Check out the trailer below…
The trailer features excerpts from the ‘New Works’ program, including pieces by J. Van der Made (Holland), James McGilchrist (Australia), Michael Robinson (USA), Peter William Holden (Germany) and Adam Paradis (USA).
Full program coming soon.