Some of you will already know that I’ve had a long-standing love affair with photography and the natural world. Eight odd years ago, I bought my first digital SLR camera. A second-hand Nikon FE, I bought my first prime lens (a 50mm f1.4) and ever since, I’ve had great trouble putting it down. I learned to burn film like a chain-smoker does cigarettes- I rolled my own reels of film, developed black and white stock myself and loved every minute of it. Combined with my life-long passion for observing and recording wildlife, my photographic kit expanded rapidly and considerably, absorbing an extensive range of prime lenses, a couple of zooms and a box full of filters. Often seen toting two camera bodies and multiple lenses, my kit became formidable- both in its image-making potency and for the sheer weight of all that metal and glass.
Around 2004, my interests shifted more into 3D photography (stereography) exhibiting 3D works in Adelaide twice in 2005, before I veered into Super8 filmmaking. The leap into HD video-making followed in 2006, and since then I’ve been keeping a keen eye on the photographic forefront, waiting for an opportunity to put my beloved old lenses back on a DSLR body. I guarantee it’ll be a Nikon or a Fuji when I finally commit, as both of these offer Nikon F-mounts and I can snap my ol AI-S lenses straight on the body and shoot with all the manual controls that make photography equal parts art and science.
Until that day comes, I’ll be content excercising my Panasonic DMC-FT1 camera (or DMC-TS1 as it’s known in the USA) that I purchased earlier this year. The rugged little point-and-shoot has allowed me to take 12 mega-pixel photos in an environment that has always fascinated me- the Southern Ocean (along with 720p HD video, but, that’s another blog post). Seldom photographed by comparison to warmer Australian waters, I was encouraged by PanasonicAU on Twitter to submit a gallery of my recent work to LumixLife: an exhibition they were then planning. Several weeks later, I’m very pleased to announce that my collection of ten images has been selected from a field of about one-hundred-and-eighty galleries and will be exhibited on October 8th in Global Gallery, in Paddington, Sydney. Featuring a collection of starfish, sweep, cuttlefish and a colony of ascidian sea squirts, my shots are also visible online, but unfortunately will not be offered for sale at the gallery site.
After receiving some very warm compliments from my social networks on Facebook and Twitter, and being the entrepreneurial sort, I decided to look into options for selling photo prints online. The site I’ve settled with is RedBubble, as suggested by Simon Loffler from the creatively-connected blog, Home Slice. Like many other print-on-demand services, Red Bubble allows artists to upload high-resolution artwork, select from a range of printing options, set their prices and make enlargements available to the world. It’s free to register and offers a remarkably easy and expedient process for turning your artworks into saleable products. Many comparable sites offered much murkier pricing structures, uglier interfaces and in some cases, prohibitive registration fees.
If you’d like to support this blog and my photographic efforts, please consider buying an enlargement or two from my recent exhibition. If you do so, please shoot me a message, or better still take a picture of the artwork once it’s hanging in its new home- I’d love to see where my local surveys of underwater life end up next!